Based on epistemological changes in museums, this study aims to explore the role of museums as cultural mediators in the era of digital transformation, while ascertaining changes in the museum mediation arising in tandem with the development of digital technology. By examining two cases of the Asia Culture Centre (ACC) from an actor-network perspective, this study delves into the complicated interactions and alliance processes among various interested parties - political, economic, social, cultural, and technological actors - and power generated through their relationships and shared across them. This study will pave the way for active discussions on how to assist museums in adopting a convergence approach to digital technology and integrating it into their practices in an efficient and timely manner.