Pertaining to the new migrant wave of Québec, Felicia Mihali professes a plural identity by personal example, depicted in her ten novels, as well as by building original narrative worlds in a literature of intranquility. The present analysis focuses on a kaleidoscope of feminine characters torn by individual histories or the collective History of (post)communism. She are at the same time (de)mythicalized and (de)mystified, thirsty women driven by migrant ardour, exiled to a real or imaginary somewhere else in search of resilience.